Kritikų atsiliepimai apie dainą "Private Show"

Rolling Stone: "For the slinky song, Spears gives a soulful vocal performance and promises a "private show" for her lover. The Las Vegas performer promises to "twerk it" and "spin it" during the song's chorus and peppers the verses with theatrical metaphors. "All my tricks, they're spectacular/ My encore is immaculate," she sings during the second verse."

Paper Magazine: "Thankfully though, this latest track from Brit is definitely an "alone in front of your mirror, really fucking feeling yourself" jam of the highest order. Seems like Britney's felling herself, too, and she's never sounded better."

Spin: "It’s a bubbly, pole dance-inspired number built around a spiraling vocal hook and a clipped, “Work it, work it / Boy watch me work it / Slide down my pole / Watch me spin it and twerk it” chorus that sounds tailor-made for a Vegas show."

Complex: "Fans first got a taste of the track when a clip debuted in the commercial for her new perfume of the same name, but the full track proves to be even better as Spears returns to her seductive roots, singing about getting down on a pole and twerking behind the curtains over a doo wop-inspired backbeat produced by Young Fyre who has worked with T-Pain in the past."

Yahoo: "It’s completely different from Britney hits of the past, but we love how much she’s growing and experimenting with her talent. Never before has Spears been so soulful. Glory marks the first studio album that Britney has released since 2013’s Britney Jean, so it’s great that she took the time to craft completely new material."

Fuse: "Britney sounds sassier than she has in a long time as she demands "Boy, watch me work it / Slide down my pole, watch me spin and twerk it" in her signature baby voice that yips over a throwback-inspired beat. It's strangely satisfying, particularly when Brit attempts gets a bit soulful with her delivery on the second chorus and on the chant-driven bridge.

Mashable: ""Private Show," which is streaming now, is nothing whatsoever like its predecessor, the G-Eazy-featuring "Make Me." It brings together doo-wop, bubbly pop and some Gwen Stefani-esque chanting and blends it all together into something that's definitely nothing like what we've heard from the girl who gave us "Lucky." The song was previously teased in a commercial for her newest fragrance."